We’ll start with our red border and the white graphics: Make a selection of the bottom third, Edit>Copy Merged, File>New, click OK, Edit>Paste, and Save this as a layered document. Click on the Eye icons in the Layers panel to hide every layer except the overlays. We need to create separate documents for the overlays. Start by adding all the elements you want, even graphics that eventually will appear in front of the photo (overlays). Add each element on a separate layer to your card document so you can edit the results later, such as changing the name for each child, etc. Create a new file (File>New) for your trading card that matches the size and resolution of your green-screen images. We’re going to automate the steps of putting these kids onto trading cards, so first we have to create the graphic elements for the card.
#Adobe premiere pro cs4 green screen series#
For our example we’re going to use a series of “karate kids.” Also, keep your graphic elements in a specific folder. You need good, consistent lighting of the green screen, some distance between your subjects and the background to avoid shadows, and all the portraits should be framed in a similar way. Your chances of success in a project like this will depend on the work you do up front. Here’s a method to create a Photoshop action to extract your subjects and place them in a new background. The problem has always been that it isn’t easy to automate extracting subjects from the background-until now.
![adobe premiere pro cs4 green screen adobe premiere pro cs4 green screen](https://i.ytimg.com/vi/SJmLFXIKBEg/maxresdefault.jpg)
![adobe premiere pro cs4 green screen adobe premiere pro cs4 green screen](https://i.ytimg.com/vi/1qtmCRbHENU/sddefault.jpg)
![adobe premiere pro cs4 green screen adobe premiere pro cs4 green screen](https://winniealbertjarop.files.wordpress.com/2012/12/images-2.jpg)
The theory behind shooting portraits on a green-screen background is a good one: Give yourself a solid color that’s easy to select.